Ashif Kakkodi’s writing jumps between ideas, never driving any of them home with conviction. Wahid’s growth as a character also leaves a lot to be desired, as does Zakariya’s stiff acting with consistently stoic expressions. By the time Wahid learns his lesson, we are past caring.
Even the cricket, the supposed heart of the film, feels lifeless. Matches escalate into ego-driven spats, but the tension never quite translates into riveting drama. Even at just two hours, the film drags. Its attempt to cover so many issues makes it feel messy and unfocused.
Unlike last year’s Tamil gem, Lubber Pandhu, which tackled similar touchy topics with finesse and heart, Communist Pacha Adhava Appa seems content to meander, its ideas never landing a decisive blow. Oddly enough, the only moments that truly shine are the ones off the field. Khadeeja (played ably by Nazlin Jameela Saleem), Wahid’s wife, is the real all-rounder here, like a lighter version of Swasika’s character from Lubber Pandhu.
She keeps the family together with her unflinching dedication, delivers much-needed pep talks to Wahid and scores the film’s rare emotional runs. Her scenes are a relief in an otherwise stale innings, making you wish the film had spent more time in her company. While Sarassa Balusseri is charming as Wahid’s mother, her performance heavily resembles her breakout act from Sudani From Nigeria.
Somewhere amid its missteps lies a poignant story waiting to be told—a tale of prejudice, fear, and resilience in a time of crisis. Unfortunately, Communist Pacha Adhava Appa fumbles heavily with its execution.
Film: Communist Pacha Adhava Appa
Director: Shamim Moideen
Cast: Zakariya, Nazlin Jameela Saleem, Althaf Salim, Vijilesh, Sarasa Balisseri, Kudassanad Kanakam, Shamsu Mankarathodi
Rating : 1.5/5
